LEXICALANDGRAMMATICAL COHESIVE DEVICES IN DANGDUT SONG LYRICS WRITTEN BY TJAHJADI DJANATA AS THE REPRESENTATION OF WOMAN

NISAK, WINDA KHOIRUN (2015) LEXICALANDGRAMMATICAL COHESIVE DEVICES IN DANGDUT SONG LYRICS WRITTEN BY TJAHJADI DJANATA AS THE REPRESENTATION OF WOMAN. [ Skripsi ]

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Abstract

ABSTRACT Nisak, Winda Khoirun. Student RegisteredNumber.3213113162.2015.Lexical and Grammatical Cohesive Devicesin Dangdut Song Lyrics Written by Tjahjadi Djajanata as The Representation of Woman.SarjanaThesis.English Education Department.Faculty of Tarbiyah and Teacher Training. StatesIslamic Institute (IAIN) of Tulungagung. Advisor, Faizatul Istiqomah, M.Ed Keywords:Woman representation, Dangdut Songs, Discourse Analysis Language can be used as a representation of people in the discourse, representation of woman instead. Woman who constantly becomes the theme of Dangdut Songs is the iligimate one which can not presented by themselves in the dangdut songs. Woman is depicted as beyond the stereotype of the eastern woman. Dangdut song as the original discourse from Indonesia should be berepresented by Indonesian Woman as eastern woman. Discourse analysis is much concern on language use. Furthermore, discourse analist uses language as the representation of the world.Language features that used in one discourse such the use of personal pronoun means so much based on the theory of discourse analysisi. The study was directed to find out the representation of woman in dangdut songs written by Tjahjadi Djajanata, also the relation of subject-object for those discourses. The formulation of the research problems were: How do grammatical and lexical cehesive devices represent woman in dangdut songs by Tjahjadi Djajanata? The purposes of the study were: To analyze selected lyric of dangdut songs by TjahjadiDjajanata by grammatical and lexical coherence and to analyze representation of woman. The research method: this study belonged to qualitative approach attend to library research as the research design. Discourse Analysis used as the framework in this research. The data of this study are transcribtion of 10 songs which wrote also composed by Tjahjadi Djajanata.The data were person pronoun, repetition as the main tools to unload the woman representation in those songs.Meanwhile, source of the data of this study was Youtube channel originally by Tjahjadi Djajanata that analized ten transcribtion lyrics of the song. The result showed that there were two kinds of cohesive devices that used to unload the representation of woman. They were reference and repetition. Meanwhile, the position of woman as the subject of the discourse, found nine to ten songs as the data. Furthermore word choice also use in depicted woman in the discourse. As the whole woman pictured as the one who tried to resist man domination also tumbling down the stereotype about eastern woman. Researcher concludes that those things run with current hidden agenda which try to get benefit from the depicted woman as in the songs. Woman as the object of capitalism who intend to not presented as it have to be in the dangdut songs that was written by Tjahjadi Djajanata.

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